var gigapixelArtZoomData = { locations: [ { id: '3rdShiftDance', pos: [-0.225740, 4.830560, 0.021358], thumb: '35_Dancers_t', image: '35_Dancers' }, { id: 'AmyBillharz', pos: [-0.023755, 4.731455, 0.009494], thumb: '47_Amy_t', image: '47_Amy' }, { id: 'AnnaTelcs', pos: [-0.268169, 3.864107, 0.012741], thumb: '44_Dresser_t', image: '44_Dresser' }, { id: 'CargillMartin', pos: [-0.412471, 3.679234, 0.019673], thumb: '18_AcrobatYoga_t', image: '18_AcrobatYoga' }, { id: 'CargillMartin', pos: [-0.329231, 4.485260, 0.023123], thumb: '20_Pyramid_t', image: '20_Pyramid' }, { id: 'CelsoGomes', pos: [-0.130114, 4.083010, 0.089814], thumb: '65_Lego_t', image: '65_Lego' }, { id: 'ChristianFrench', pos: [-0.223369, 3.913106, 0.025621], thumb: '07_Teahouse_t', image: '07_Teahouse' }, { id: 'CurtisWong', pos: [-0.499993, 2.521868, 0.026960], thumb: '43_CurtisPrism_t', image: '43_CurtisPrism' }, { id: 'DamianPuggelli', pos: [-0.338826, 3.836750, 0.018134], thumb: '29_Painter_t', image: '29_Painter' }, { id: 'DeborahKirsner', pos: [-0.041173, 5.713846, 0.007224], thumb: '53_Fred_t', image: '53_Fred' }, { id: 'DuoRendezvous', pos: [-0.462634, 5.945133, 0.061844], thumb: '01_JumpingGirl_t', image: '01_JumpingGirl' }, { id: 'DuoRendezvous', pos: [-0.304638, 3.639324, 0.026930], thumb: '19_HoldAir_t', image: '19_HoldAir' }, { id: 'DuoRendezvous', pos: [-0.176255, 4.513204, 0.015442], thumb: '21_Mailing_t', image: '21_Mailing' }, { id: 'DuoRendezvous', pos: [-0.128354, 4.659664, 0.012154], thumb: '22_AcrobatGrass_t', image: '22_AcrobatGrass' }, { id: 'DuoRendezvous', pos: [-0.299744, 2.569973, 0.018363], thumb: '33_YogaSculpture_t', image: '33_YogaSculpture' }, { id: 'DuoRendezvous', pos: [-0.323129, 5.450402, 0.046308], thumb: '41_AcrobatFence_t', image: '41_AcrobatFence' }, { id: 'DuoRendezvous', pos: [-0.318831, 2.410096, 0.028686], thumb: '51_AcrobatFount_t', image: '51_AcrobatFount' }, { id: 'EthanJackHarrington', pos: [-0.375343, 0.009638, 0.042336], thumb: '05_PaintingModel_t', image: '05_PaintingModel' }, { id: 'EzraDickinson', pos: [-0.393859, 5.124692, 0.031245], thumb: '03_Dino_t', image: '03_Dino' }, { id: 'FutureFridays', pos: [-0.212407, 5.804712, 0.018493], thumb: '17_RobotGuitar_t', image: '17_RobotGuitar' }, { id: 'IoleAlessandrini', pos: [-0.438101, 2.562792, 0.079022], thumb: '25_Error404_t', image: '25_Error404' }, { id: 'JamesMahoney', pos: [-0.120638, 3.918815, 0.020534], thumb: '57_spaceship_t', image: '57_spaceship' }, { id: 'JeremyGregory', pos: [-0.139964, 4.301478, 0.010049], thumb: '55_Juggler_t', image: '55_Juggler' }, { id: 'KateVrijmoet', pos: [-0.232951, 2.616220, 0.009823], thumb: '36_PainterWater_t', image: '36_PainterWater' }, { id: 'KDSchill', pos: [-0.369608, 2.753888, 0.013512], thumb: '42_Marie_t', image: '42_Marie' }, { id: 'KellyLyles', pos: [-0.457434, 5.552441, 0.103995], thumb: '28_Cars_t', image: '28_Cars' }, { id: 'KeseyPollock', pos: [-0.429147, 2.862123, 0.028211], thumb: '14_Picnic_t', image: '14_Picnic' }, { id: 'KrisCrews', pos: [-0.131480, 4.666125, 0.006100], thumb: '23_Skate_t', image: '23_Skate' }, { id: 'KrisCrews', pos: [-0.389841, 5.740831, 0.017687], thumb: '24_Skate2_t', image: '24_Skate2' }, { id: 'KurtGeissel', pos: [-0.230973, 5.414818, 0.017830], thumb: '26_Motocycle_t', image: '26_Motocycle' }, { id: 'LarineChung', pos: [-0.013132, 4.265836, 0.010153], thumb: '59_LarineChung_t', image: '59_LarineChung' }, { id: 'MarkSiano', pos: [0.028292, 0.442368, 0.014542], thumb: '56_WestinPainter_t', image: '56_WestinPainter' }, { id: 'MelanieMasson', pos: [-0.490667, 0.491249, 0.026881], thumb: '58_Melanie_t', image: '58_Melanie' }, { id: 'MimiBoothby', pos: [-0.166842, 0.956779, 0.012892], thumb: '04_EaselLady_t', image: '04_EaselLady' }, { id: 'PaulKuniholmPauper', pos: [-0.229359, 1.019475, 0.027903], thumb: '27_Carboard_t', image: '27_Carboard' }, { id: 'PDL', pos: [-0.108788, 5.388026, 0.026137], thumb: '30_Protest_t', image: '30_Protest' }, { id: 'QueenShmooquan', pos: [-0.358651, 0.913517, 0.016880], thumb: '39_Chicken_t', image: '39_Chicken' }, { id: 'RainbowSerpent', pos: [-0.206821, 5.050482, 0.029416], thumb: '16_Snake_t', image: '16_Snake' }, { id: 'RulonBrown', pos: [-0.040263, 4.650238, 0.004716], thumb: '46_Sax_t', image: '46_Sax' }, { id: 'SariBreznau', pos: [-0.219901, 2.259404, 0.018784], thumb: '15_Opera_t', image: '15_Opera' }, { id: 'SeattleRepertoryTheatre', pos: [-0.077811, 4.521932, 0.036722], thumb: '34_Clouds_t', image: '34_Clouds' }, { id: 'SeattleThrillers', pos: [-0.218420, 5.261664, 0.057695], thumb: '32_Zombies_t', image: '32_Zombies' }, { id: 'SequinMann', pos: [-0.398478, 5.598129, 0.018726], thumb: '64_SequinMann_t', image: '64_SequinMann' }, { id: 'SirensOfSerpentine', pos: [-0.038205, 2.228799, 0.015207], thumb: '48_WS_Belly_t', image: '48_WS_Belly' }, { id: 'SoMaProject', pos: [-0.185730, 4.142575, 0.059733], thumb: '45_Fabric_t', image: '45_Fabric' }, { id: 'SonOfMan', pos: [-0.297927, 3.726379, 0.024229], thumb: '08_Magritte_t', image: '08_Magritte' }, { id: 'TamaraStephas', pos: [-0.384053, 5.237080, 0.029294], thumb: '02_PaintingXing_t', image: '02_PaintingXing' }, { id: 'TashiroKaplan', pos: [-0.167816, 5.289176, 0.047701], thumb: '63_ArtistsLawn_t', image: '63_ArtistsLawn' }, { id: 'TashiroKaplan', pos: [-0.167267, 5.279763, 0.018481], thumb: '31_ArtistsLawn_t', image: '31_ArtistsLawn' }, { id: 'TashiroKaplan', pos: [-0.169842, 5.288595, 0.018481], thumb: '61_RogerWheeler_t', image: '61_RogerWheeler' }, { id: 'TashiroKaplan', pos: [-0.170085, 5.298029, 0.018481], thumb: '60_NoaPiper_t', image: '60_NoaPiper' }, { id: 'TessaHullsEricOlson', pos: [-0.321356, 2.439727, 0.035429], thumb: '52_Books_t', image: '52_Books' }, { id: 'TheHollers', pos: [-0.205437, 0.399711, 0.013066], thumb: '38_GuitarAccord_t', image: '38_GuitarAccord' }, { id: 'TheJumiProject', pos: [-0.306837, 3.045442, 0.026741], thumb: '50_CirclesSAM_t', image: '50_CirclesSAM' }, { id: 'TheVennSisters', pos: [-0.320286, 4.045922, 0.067638], thumb: '49_Circles_t', image: '49_Circles' }, { id: 'TimMarsden', pos: [-0.490135, 0.473955, 0.035273], thumb: '37_Banana_t', image: '37_Banana' }, { id: 'TroyGua', pos: [-0.253932, 3.910234, 0.020825], thumb: '06_MexiBurguer_t', image: '06_MexiBurguer' }, { id: 'VisAVisSociety', pos: [-0.069913, 5.484787, 0.007431], thumb: '12_Poetry_t', image: '12_Poetry' }, { id: 'WesHurley', pos: [-0.161499, 0.707976, 0.013205], thumb: '40_Actors_t', image: '40_Actors' }, { id: 'YoungstownArts', pos: [-0.039987, 2.332245, 0.015207], thumb: '54_WS_Art_t', image: '54_WS_Art' } ], artists: [ { id: '3rdShiftDance', title: '3rd Shift Dance', names: [], desc: '3rd Shift Dance is a contemporary jazz project directed by Seattle choreographer Xaviera Vandermay. Based in Seattle\'s Capitol Hill neighborhood, 3rd Shift strives to push the physical boundaries of the dancers, to push some buttons, and to celebrate their freedom as artists to do what they enjoy most. Past appearances include performances at 12 Minutes Max, at the McCaw Hall 10th Anniversary Celebration, onstage providing backup for Fly Moon Royalty, and in the short film "Lulu and Bopsie Destroy the Universe."', piece: 'For the Gigapixel ArtZoom project, 3rd Shift Dance combined elements of two works choreographed by Xaviera Vandermay. The partnering dancers are performing an excerpt from "Pedestrian Dance" to the music of Frightened Rabbit, while the soloist is performing movements from "Rolling" as played by The Piano Guys. Both works debuted on October 25, 2013 in Expose the Shift at Velocity Dance Center. Participants included Anita Donahe, Austin Sexton, Philippa Myler, Sharonda Young, Simone Triche, and Xaviera Vandermay.', sites: ['https://web.archive.org/web/20161028044332/http://www.3rdshiftdance.org/'], videoId: 'youtube:h5atdBK4YLU', images: [] }, { id: 'AmyBillharz', title: 'Amy Billharz', names: ['Amy Billharz'], desc: 'As a visual artist, Amy Billharz is drawn to abstraction and collage. She works in a variety of media but connects most closely with photography. Recent work has embraced videography and stop motion animation, the piecing together of thousands of "photos." Storytelling is less of a priority than color and form, but she\'s moving in the direction of including more narrative in her work.', piece: 'Amy Billharz displayed a 5\' by 35\' paper collage of her black and white urban texture photography in the Gigapixel ArtZoom panorama. It is a site-specific piece created for the 2013 LoFi Arts Festival, which takes place every August at Smoke Farm outside of Arlington, Washington. This collage was hung on the side of a barn-like structure and illuminated by red LED lights at night. The intent of the LoFi piece was to combine two prominent invasive species: humans with their sprawling cities and the blackberry vines that attempt to take over Smoke Farm each year.', sites: ['https://web.archive.org/web/20161028044332/http://www.amybillharz.com/'], videoId: 'youtube:DdvYsvOYLV0', images: ['47_Amy_B'] }, { id: 'AnnaTelcs', title: 'Anna Telcs', names: ['Anna Telcs', 'Lars Swenson'], desc: 'Anna Telcs is a conceptual textile sculptor with a focus on the fashion industry. She has shown her work nationally and internationally, including at the Guggenheim\'s Works & Process festival with Robert Wilson. Her personal work "The Dowsing" was shown and performed last spring at the Henry Art Gallery in Seattle. She will be participating in Fashioning Cascadia at the Museum of Contemporary Craft in Portland next year.', piece: 'Anna Telcs appeared with model Lars Swenson, recreating a moment from her performative work "The Dowsing, 2013." The project, sponsored by City Artsists Grants and The Henry Art Museum, beautifully explores layering in tailoring and undergarments, while creating ritual by giving the worn sculpture context and patina through wear.', sites: ['https://web.archive.org/web/20161028044332/http://annatelcs.com/'], videoId: 'vimeo:65265170', images: ['44_Dresser_B'] }, { id: 'CelsoGomes', title: 'Celso Gomes', names: ['Celso Gomes'], desc: 'Celso Gomes is a Senior User Experience Designer at Microsoft Research with 18 years of experience working with pixels and more than 35 years of experience with Legos. He worked on several aspects of post-production for the Gigapixel ArtZoom project, including web site design, video editing, and blending each artist into the gigantic panorama—not to mention using his expertise with Legos in the name of art.', piece: 'After spending weeks working on the Gigapixel ArtZoom panorama of Seattle, Celso Gomes realized how many construction sites marred the beauty of the city and he started thinking about a way to transform these sites. The idea for "Don\'t Jump, Buddy!" occurred to him while playing with building blocks with his four-year-old son. The result is still a construction site, but one that is much more fun. Look closely and you will see a story. For this composition, Celso used several software tools, including Lego Digital Designer, Autodesk Maya, and Adobe Photoshop.', sites: ['https://web.archive.org/web/20161028044332/http://celsogomes.net/'], videoId: 'youtube:uFTpnpoelS0', images: [] }, { id: 'ChristianFrench', title: 'Christian French', names: ['Christian French'], desc: 'Christian French is a Seattle artist. Trained in photography and experimental cinema, his work encompasses a wide variety of practices, including sculpture, installations, and performances. He has used shipping containers, lottery tickets, trophies, hub-caps, found objects, and cultural tropes. Seemingly constitutionally incapable of repeating a gesture, he considers himself a professional amateur. He likes long walks on the beach and talking about himself in the third person.', piece: 'Zen Van is a project about bringing Zen to the West. By converting a VW Microbus into a Japanese tea room on wheels, Christian French hopes to create a space for stillness, a place for interpersonal interaction, and a revisioning of our relationship to automobiles. Zen Van is a vehicle for transformation.', sites: ['https://web.archive.org/web/20161028044332/http://www.christianfrench.com/'], videoId: 'youtube:Ys2AK6lJKRE', images: [] }, { id: 'CurtisWong', title: 'Curtis Wong', names: ['Curtis Wong'], desc: 'Curtis Wong is a Principal Researcher in Microsoft Research\'s eScience group, and has been an advisor to the Seattle Art Museum since 1996 and a trustee since 2004. Curtis says, "I want to represent the board of SAM in this inclusive project that brings together so many of the cultural organizations in one image that illustrates the rich tapestry of what makes Seattle a special place to live."', piece: 'With interests that lie at the intersection of art and science, Curtis Wong has worked with glass as an art form for many years—mostly emulating the style of Louis C. Tiffany. For the Gigapixel ArtZoom project, Curtis chose one of his pieces that is unlike any of his other work. He holds aloft a glass artwork that illustrates the refraction of white light to form a spectrum of colors, and at the same time symbolizes the intersection of art and science. Curtis points out that he created this piece in 1971, a few years before the album cover for Pink Floyd\'s "Dark Side of the Moon" displayed a slightly different take on the prism.', sites: ['https://web.archive.org/web/20161028044332/http://research.microsoft.com/en-us/people/wong/'], videoId: 'youtube:VHduL4XgjZU', images: [] }, { id: 'DamianPuggelli', title: 'Damian Puggelli', names: ['Damian Puggelli'], desc: 'Damian Puggelli is a visual artist working in Seattle. His primary medium is oil painting, with excursions into photography, video, printmaking and sculpture. Painting from direct observation allows him to explore the world in an enhanced experiential state. This heightened sense of reality creates a deeper relationship with the place being explored. Moments of shifting light are fixed into memory by sketching and photographing in the field. In the quiet space of the studio, these references are used to inform imagination. This is the territory where facts are forged into poetry.', piece: 'Damian Puggelli created a quick plein-air sketch of Denny Way done in oil paint using his portable field easel.', sites: ['https://web.archive.org/web/20161028044332/http://puggelli.wordpress.com/'], videoId: 'youtube:MnnYufk-3eQ', images: [] }, { id: 'DeborahKirsner', title: 'Deborah Kirsner', names: ['Deborah Kirsner'], desc: 'Deborah Kirsner is a fine art photographer living in Edmonds, WA. Photography is her passion and, along with making color images, she explores different creative processes to convey her vision. Deborah\'s subject matter is eclectic—from landscapes to architecture, fishing boats to tattered wallpaper, a classic American car on a street in Havana, Cuba to a monk in Bhutan taking part in a religious dance performance. Through her images, Deborah strives to see and convey an honoring of the moment and the wonder in the everyday.', piece: 'The Gigapixel ArtZoom photographers caught Deborah Kirsner taking shots of Seattle\'s urban landscape from her rooftop vantage point.', sites: ['https://web.archive.org/web/20161028044332/http://www.deborahkirsner.com/'], videoId: 'youtube:NIeVuDOrBnQ', images: [] }, { id: 'DuoRendezvous', title: 'Duo Rendez-vous', names: ['Lori Erickson', 'Graeme Quinn'], desc: 'Lori Erickson and Graeme Quinn teamed up in 2011, thrilled to be trained under the guidance of their coach, Charly Castors, a premier Parisian risley/icarian circus performer (foot juggler). Graeme has been performing acrobatics in Seattle\'s community for the last decade, including Teatro ZinZanni\'s first children\'s show in 2011. Lori\'s background in gymnastics, diving, and yoga have given her a solid foundation for performing risley/icarian acrobatics.', piece: 'Gigapixel ArtZoom features Lori Erickson and Graeme Quinn in a variety of urban acrobatic stunts around Seattle.', sites: ['https://web.archive.org/web/20161028044332/http://www.duo-rendezvous.com/'], videoId: 'youtube:di2qnOgHnZc', images: [] }, { id: 'EthanJackHarrington', title: 'Ethan Jack Harrington', names: ['Ethan Jack Harrington', 'Laurie Nelson'], desc: 'Seattle-based plein-air oil painter Ethan Jack Harrington has made his living as a professional artist for over 20 years. His work can be found in many public and private collections. His studio and gallery is located in Seattle\'s historic Pike Place Market. According to Gabriel Grunbaum (LA Art Digest), "Harrington not only captures the flow and vibration of light with riveting whimsy, he exposes the true soul of his subjects. His always exciting work is timeless and immortal."', piece: 'With the assistance of model Laurie Nelson, Ethan Jack Harrington created a sun drenched pin-up portrait of an intrinsically rare urban unicorn.', sites: ['https://web.archive.org/web/20161028044332/http://www.ejakart.com/'], videoId: 'youtube:-FXW_YAm12k', images: [] }, { id: 'EzraDickinson', title: 'Ezra Dickinson', names: ['Ezra Dickinson'], desc: 'Ezra Dickinson began dancing at the age of four. Trained at Pacific Northwest Ballet for twelve years on full scholarship, Ezra earned his BFA in Dance from Cornish. While at Cornish, Ezra was the recipient of The Merce Cunningham Scholarship, The Kreielshimer Scholarship, and The President\'s Scholarship in Dance. Ezra\'s choreography has been performed at OTB Northwest New Works Festival, ACT Theater, Moore Inside Out, Heathrow Airport, Henry Art Gallery, Velocity\'s Next Fest Northwest, Zocalo Mexico City, Spectrum Dance Theater, and The Northwest Film Forum, among many other venues.', piece: 'For the Gigapixel ArtZoom project, Ezra Dickinson chose an image from his performance, "Mother for you I made this." This work aimed to activate a conversation about the failed mental health care system in America through memories of his childhood as he lived with and unknowingly cared for his schizophrenic mother. Ezra\'s hour-long solo was built from a series of performances he made as gifts for his mother over a seven year period. Audiences were guided through forgotten public spaces by ushers and given a personal audio tour weaving conversations between Dickinson and his mother with sounds from the actual landscape.', sites: ['https://web.archive.org/web/20161028044332/http://ezradickinson.com/'], videoId: 'youtube:1qNMLzri6Dk', images: ['03_Dino_B'] }, { id: 'FutureFridays', title: 'Future Fridays', names: ['Sari Breznau', 'Eric Padget'], desc: 'Sari Breznau is a retired circus performer, choir director, stage-craftsman and multi-instrumentalist. Eric Padget is a prolific songwriter and trumpet player. Together they present provocative personae, performance, puppetry, and a pop-sensible soundtrack to an otherwise haphazard journey through space and time (with no specific intent or destination). Future Fridays is the outfit that provides access to an otherwise vague and directionless narrative of love, loss, and longing, mixed with a bit of lounging and lunching.', piece: '"SONG!" is a costume set celebrating another successful interstellar parallel parking job. Oft flung from their mode of transport, here Future Fridays land on their feet once again in musical celebration.', sites: ['https://web.archive.org/web/20161028044332/http://facebook.com/futurefridays'], videoId: 'youtube:YE-0NvJ-wCk', images: [] }, { id: 'TheHollers', title: 'The Hollers', names: ['Anjl Rodee', 'Mike McCourt'], desc: 'The Hollers inhabit a space in American music where rock meets soul—where elements of folk, rock, blues, roots and classic soul meld seamlessly, where genre boundaries are ultimately not very meaningful. This space is full of raw, visceral emotion. Serendipitous, yet never taking itself too seriously. The Hollers are: vocalist/multi-instrumentalist Anjl Rodee and vocalist/guitarist Mike McCourt.', piece: 'The Hollers gave a live performance of their unique music on the streets of Seattle.', sites: ['https://web.archive.org/web/20161028044332/https://www.facebook.com/TheHollersBand'], videoId: 'youtube:axKR0jfJJWg', images: [] }, { id: 'IoleAlessandrini', title: 'Iole Alessandrini', names: ['Iole Alessandrini', 'Ryan Peterson', 'Elise Ballard'], desc: 'Born and raised in Italy, Iole Alessandrini is an artist who has been living in Seattle since 1994. She received her diploma in Fine Arts from the First State School of Fine Arts in Rome and earned two master\'s degrees in Architecture: one from the University of La Sapienza in Rome and the other from the University of Washington in Seattle. It is the intersection between these two creative expressions—art and architecture—through which her work moves.', piece: 'The park-scale venue features a large-size banner reading "Error 404: Site Not Found," and the artists themselves holding signs of hyperlink hands in the act of franticly clicking a field of grass. In a similar way, on the web, an error message might be experienced when a user attempts to click a broken link. The piece suggests that what appears to be a dead-end is in fact an actual place, a site imaginably of infinite possibilities, available again in the future. Originally, a gallery version of this project appeared at SOIL in Seattle. Special thanks to Ryan Peterson and Elise Ballard for contributing to the making of the piece and for performing in it.', sites: ['https://web.archive.org/web/20161028044332/http://www.iole.org/', 'https://web.archive.org/web/20161028044332/http://iole.org/exhibitions/error404.aspx'], videoId: 'youtube:jSEI0GRoHL8', images: [] }, { id: 'JamesMahoney', title: 'James Mahoney', names: ['James Mahoney'], desc: 'James Mahoney is the founder of Black Lobster Digital Arts. He splits his time between teaching and doing contract work for a wide array of clients. He\'s been a digital artist since there was such a thing.', piece: 'In response to the growing traffic congestion of the Emerald City, the technical genius and executive, Jason Johnson, used his stock options to purchase and refurbish an airship. The airship was originally used by a Seattle power company to inspect and repair remote lines and equipment; now it\'s Jason\'s personal transportation vehicle of choice. (James Mahoney hand-painted "Outta Here" in Photoshop, using a 3D model created in Blender to get the perspective just right.)', sites: ['https://web.archive.org/web/20161028044332/http://jamesmahoney.net/'], videoId: 'youtube:HgCPVt1gFDI', images: ['57_spaceship_B'] }, { id: 'JeremyGregory', title: 'Jeremy Gregory', names: ['Jeremy Gregory'], desc: 'Jeremy Gregory is an artist, illustrator, and creator at Candy Teeth Creative. Since his graduation from the Art Institute of Seattle, he has been manifesting a fun and prolific art career. After making a name for himself creating paintings, murals, and comics, he recently turned his creativity to the 3D world of sculpting and stop-motion animation. He has created a stop-motion short with director Brian Parker. He now has a tribe of puppets called "The Believables," and is creating content based on these characters, using social media as an outlet to build a strong fan base. At the same time he is using these puppets as actors for 3D illustrations and marketing. Jeremy is also a ridiculous juggler. Stay on the alert and you may see him fly by on a longboard juggling real machetes!', piece: 'Jeremy Gregory demonstrated his juggling skills for the Gigapixel ArtZoom project.', sites: ['https://web.archive.org/web/20161028044332/http://jeremygregorynow.blogspot.com/'], videoId: 'youtube:Mc-Pgr_PVA4', images: [] }, { id: 'TheJumiProject', title: 'The Jumi {you~me} Project', names: ['Kate Ryan', 'Ariel Burke', 'Kari Champoux', 'Diamond Keener', 'Hannah Patterson'], desc: 'The Jumi {you~me} Project is a spiritual dowsing and an expression of our sacred relationship to nature. The project stems from Kate Ryan\'s belief that "everything is intertwined, with no end and no beginning, body, mind, and soul... a constant draw for artists trying to explore and explain our relationship to the divine, natural, and the universe." Kate started by having conversations with other artists about expressing gratitude in their craft and what they know about how to cultivate happiness and healing. This project is an open invitation to artists interested in developing an accessible vocabulary of ritualized movement, materials, music, and social practices.', piece: '"The Sacred Compass" is a living shrine to each of the five elements in nature and the five senses, set within a white fabric compass designed with sacred geometric placement. North, earth, and touch are represented by Kari Champoux in green, holding a wooden bowl cradling honeycomb in moss. East, air, and smell are represented by Hannah Patterson in yellow, with a wind chime of dried lemons and sage. South, fire, and sight are represented by Ariel Burke in red, holding an eggshell candle. West, water, and taste are represented by Diamond Keener in blue, holding a jar of salt and pearls. Center, spirit, and sound are represented by Kate Ryan in purple and black, holding quartz crystals and silver bells in abalone shell.', sites: ['https://web.archive.org/web/20161028044332/http://jakkuhouse.wordpress.com/'], videoId: 'youtube:2aJxImnYCFs', images: [] }, { id: 'KDSchill', title: 'K.D. Schill', names: ['K.D. Schill', 'Christine Meyers'], desc: 'K.D. Schill is a freelance costume designer in Seattle, working in theater, dance, and film. She is also the founder of "Central Costume Collective and Performance," a forum for costume and theater professionals in western Washington. Schill wants the collective to become a "costume library" for theaters in Seattle and a rental source for print and film companies. It will showcase this area\'s amazing pool of talented designers and their work. It will also restore and preserve theatrical costumes and vintage attire.', piece: 'K.D. Schill modeled a costume created by Christine Meyers.', sites: [], videoId: 'youtube:nB4jqYleLbo', images: [] }, { id: 'KateVrijmoet', title: 'Kate Vrijmoet', names: ['Kate Vrijmoet'], desc: 'Painter and social artist Kate Vrijmoet has an MFA from Syracuse University, and now lives and works in Seattle. Her paintings and installations focus on the human body, human condition, and issues of consciousness, boundaries, and access. She is one of 16 American artists featured in the 5th Beijing International Biennial. She has exhibited in shows juried by curators of the Met (Anne Strauss), the Guggenheim (Nat Trotman), and the Brooklyn Art Museum (Charlotta Kotik). She received 3rd Prize in the 2010 Ecuador Biennial. In 2010, Seattle\'s Center on Contemporary Art published a 42-page catalog for her solo show, Kate Vrijmoet: Essential Gestures.', piece: 'Kate Vrijmoet performed plein-air painting (and participated in the Surveillance Protest organized by PDL).', sites: ['https://web.archive.org/web/20161028044332/http://www.katevrijmoet.com/'], videoId: 'vimeo:9924271', images: [] }, { id: 'KellyLyles', title: 'Kelly Lyles Art Cars', names: ['Kelly Lyles', 'Dennis Brandt', 'Don Ehlen', 'Jesse and Michael Jacques', 'Marcus Reeb'], desc: 'Kelly Lyles is a visual artist in Seattle, although her work has appeared all over the U.S. She is primarily a painter, preferring representational art with a humorous twist, though she also loves portraiture of people and of their pets. In addition, Kelly is one of the producers of the annual Seattle Art Car Blowout, where between 50 and 70 decorated vehicles come from all over the U.S. to exhibit at Seattle\'s world-famous Fremont Fair during the summer solstice weekend in June. Kelly\'s art, her home, and her art cars have been featured in a number of media articles, magazines, newspapers, radio programs, and TV shows.', piece: 'For the Gigapixel ArtZoom project, Kelly Lyles brought together several of Seattle\'s "cartists" (artists who decorate their cars) and their vehicles. In addition to Kelly, the participating cartists included Dennis Brandt, Don Ehlen, Jesse and Michael Jacques, and Marcus Reeb.', sites: ['https://web.archive.org/web/20161028044332/http://www.kellyspot.com/'], videoId: 'youtube:kLhmljrGEro', images: [] }, { id: 'KeseyPollock', title: 'KeseyPollock', names: ['Steph Kesey', 'Erin Pollock'], desc: 'KeseyPollock is the collaboration between artists Steph Kesey and Erin Pollock. Their recent exhibition of ephemeral sculptures, "I made you. I loved you. I destroyed you." pits delicate materials (wax, Crisco, soil) against strong forces (heat, impact, erosion). Video and photographs of the transformation suggest the fragility and impermanence of human life. KeseyPollock are MacDowell Colony fellows, with awards including grants from 4Culture, The Rasmuson Foundation, and Alaska State Council on the Arts. KeseyPollock will unveil their upcoming project, "Seattle Artist\'s Lotto," in winter 2014.', piece: 'KeseyPollock created this piece for the Seattle Art Museum\'s "Set the Table" event at the Olympic Sculpture Park, 2012. The table seats 10 people. Materials: polyester resin, fiberglass, gingham cloth, wood, keg cup.', sites: ['https://web.archive.org/web/20161028044332/http://www.keseypollock.com/'], videoId: 'youtube:Y-fEyZYCb6Y', images: [] }, { id: 'KrisCrews', title: 'Kris Crews', names: ['Kris Crews'], desc: 'Kris Crews is a digital media artist, video producer, teacher and skateboarder responsible for much of the on-the-street documentation of the Gigapixel ArtZoom.  Kris spends the majority of his time documenting local arts and culture.  His recent documentary, "Fake it \'til you make believe," featuring fellow Gigapixel ArtZoom artist, Jeremy Gregory, screened at the 2014 Tacoma Film Festival.', piece: 'Although Kris Crews was behind the video camera during most of the Gigapixel ArtZoom shooting, he can be spotted on his skateboard in a few places around Seattle.', sites: ['https://web.archive.org/web/20161028044332/http://youtube.com/crewsvideo'], videoId: 'youtube:J1NlqwGbYCI', images: ['66_KrisCrews_B'] }, { id: 'KurtGeissel', title: 'Kurt Geissel', names: ['Kurt Geissel'], desc: 'Kurt Geissel has been part of the art scene for most of his life, either by creating artwork of his own or by enabling other artists. He currently has the good fortune and privilege of owning Cafe Racer. As Kurt says, "The amount of art and music that comes out of that place blows my mind. I would like to create more work, but for now, the Cafe takes most of my time. And that\'s okay by me."', piece: 'Kurt Geissel calls his eye-catching scooter "The Bozo Soku Machine." He had owned the unadorned scooter for a number of years when inspiration struck and he decided to cover the scooter with mirrors. According to Kurt, "I think it\'s the most popular scooter in Seattle. I would ride it more, but it does stand out just a bit!"', sites: ['https://web.archive.org/web/20161028044332/http://caferacerseattle.com/'], videoId: 'youtube:MPXYXZErDbo', images: [] }, { id: 'LarineChung', title: 'Larine Chung', names: ['Larine Chung'], desc: 'Larine Chung was born in Shanghai, China and raised in Hong Kong. She was trained as a classical pianist since her childhood, but decided to pursue art in college. After she completed her BFA at the Chinese University of Hong Kong, she immigrated to the United States with her family in 2004. She graduated from the four-year Classical Atelier program, trained in classical painting under Juliette Aristides. Larine currently lives in Washington State. She is interested in creating works that are relevant to now and that evoke an intellectual and emotional response in people.', piece: 'As Larine Chung painted the beautiful landscape of Seattle\'s Queen Anne neighborhood, she wanted to capture the feeling of being engulfed in an amazing environment. She began the painting with a diluted oil wash and tried to get the very interesting forced perspective onto the canvas. She was also thinking about the color of the light that day, which led her to create a more dramatic piece. According to Larine, "I didn\'t get very far during the photo shoot, but I will keep developing it and post it on my website when it\'s done."', sites: ['https://web.archive.org/web/20161028044332/http://www.larinechung.com/'], videoId: 'youtube:CduoI87XXZc', images: ['59_LarineChung_B'] }, { id: 'MarkSiano', title: 'Mark Siano', names: ['Mark Siano'], desc: 'Mark Siano is a theatre artist, a performer, a publicist, a writer, an illustrator, and a producer. He performs regularly with comedy troupe The Habit, and his next cabaret musical, "Seattle Vice," premieres at ACT Theatre in March.', piece: 'In the Gigapixel ArtZoom, Mark Siano combines his over-the-top performance style and costumes (wearing a big furry jacket and hanging out on the edge of a skyscraper) with his much more subdued illustration style, which features silhouetted natural shapes created with Sharpie pens on canvas.', sites: ['https://web.archive.org/web/20161028044332/http://marxiano.com/'], videoId: 'youtube:mDKQ-XyVEqs', images: ['56_WestinPainter_B'] }, { id: 'MelanieMasson', title: 'Melanie Masson', names: ['Melanie Masson'], desc: 'Melanie Masson is a Seattle-based event, travel, and portrait photographer often seen shooting arts events around the northwest. Masson reveres photography as her most honest means of storytelling; a medium for creating visual, historical documents of the full spectrum of grand and casual moments that make up the big picture.', piece: 'Melanie Masson appears in the Gigapixel ArtZoom panorama as she photographs performing artist Tim Marsden.', sites: ['https://web.archive.org/web/20161028044332/http://www.melaniemassonphotography.com/'], videoId: 'youtube:JpgKDqboyvQ', images: [] }, { id: 'MimiBoothby', title: 'Mimi Boothby', names: ['Mimi Boothby'], desc: 'Mimi Boothby is an artist residing in Seattle. She paints with watercolors, specializing in portraits; but she also paints just about anything with color, including landscapes, flowers, and animals.', piece: 'Mimi Boothby saw the Gigapixel ArtZoom project as an opportunity to paint plein air. From her vantage point in downtown Seattle, she found herself surrounded by intriguing views of trees, buildings, and Puget Sound, punctuated by cars whizzing by.', sites: ['https://web.archive.org/web/20161028044332/http://mimitabby.com/'], videoId: 'youtube:xJQeXSNxheY', images: [] }, { id: 'PaulKuniholmPauper', title: 'Paul Kuniholm Pauper', names: ['Paul Kuniholm Pauper'], desc: 'Paul Kuniholm Pauper creates wearable artwork that is exhibited in museums and other cultural venues—sometimes using an authorized action to intervene the artworks into these spaces, but never intervening illicitly. He uses the concepts of community and time to narrate his artistic practice, often selecting materials and processes appropriated from the creative techniques of his family of origin, which has been continuously present in the Seattle area since 1890. Paul Kuniholm Pauper was formally trained in fiber arts at the University of Washington.', piece: 'Utilizing a performative process of intervention with wearable artwork and a cardboard car replica of a 1961 Lincoln Continental presidential limousine, Paul Kuniholm Pauper and models narrate JFK\'s funeral procession of 50 years ago. This dark moment in US history was originally paraphrased in 2011 for exhibit through Storefronts Seattle, but a suitable venue could not be found in the interval. The use of butoh movement, somber black wearable artworks, and the absurdity of a cardboard car being trundled about in unrestricted car traffic, all serve to echo JFK\'s assassination. The good die young.', sites: ['https://web.archive.org/web/20161028044332/https://sites.google.com/site/paulkuniholmpauper/'], videoId: 'youtube:AOJ8nc9bOHU', images: [] }, { id: 'PDL', title: 'PDL', names: ['Jason Puccinelli', 'Jed Dunkerley', 'Greg Lundgren'], desc: 'PDL was founded in 2006 with the premise of creating social art experiences as a collaboration between artists and the (often unsuspecting) public. The goal of PDL is to create conversation about the creative experience outside of traditional gallery and theater experiences.', piece: 'The Surveillance Protest is a light-hearted attempt to encourage dialogue about the potential misuse of the very technology that enabled Gigapixel ArtZoom in a world increasingly marked by invasions of privacy, whether it be police drones or the controversial role of the NSA.', sites: ['https://web.archive.org/web/20161028044332/http://www.vital5productions.com/pdl'], videoId: 'youtube:M-uCGe8iYmg', images: [] }, { id: 'QueenShmooquan', title: 'Queen Shmooquan', names: ['Jeppa K Hall'], desc: 'Queen Shmooquan is difficult to describe or even categorize. Her performances are a hybridization of an unknown number of genres; subsequently her performances have lent themselves to be featured in just about every performance venue imaginable, developing an underground cult following in her wake. Jeppa K Hall (Queen Shmooquan) is a performance artist, comedian, vocalist, musician, and songwriter. Her multidisciplinary solo and collaborative performances incorporate movement, dance, clowning, improvisation, live and recorded music, as well as video and audience participation.', piece: 'Queen Shmooquan presented a multi-dimensional, transcendental, shape-shifting, healing inducing, joyful spectacle in the name of love, for all beings in a parking lot.', sites: ['https://web.archive.org/web/20161028044332/http://www.queenshmooquan.com/'], videoId: 'youtube:mqqVwMwINe8', images: [] }, { id: 'CargillMartin', title: 'Rachel Cargill and Daniel Martin', names: ['Rachel Cargill', 'Daniel Martin'], desc: 'Daniel Martin and Rachel Cargill live together on a boat in downtown Tacoma, Washington. They are visionaries, artists, healers, dreamers, and community organizers. Together they teach couples classes and workshops promoting personal and relationship growth and empowerment. They both love you.', piece: 'Rachel Cargill and Daniel Martin demonstrate trust using acrobatic yoga.', sites: [], videoId: 'youtube:TtrwRNA4l5o', images: [] }, { id: 'RainbowSerpent', title: 'Rainbow Serpent', names: ['Sarah Lovett'], desc: 'Concerns around structure, beauty, and nature are foundations of Sarah Lovett\'s work. Her beautifully crafted objects are poetic interpretations of life forms, dreams, psychic memories, and fairy tales. The works are constructed using a rich knowledge of materials and construction techniques.', piece: 'Expeditions into Seattle Center have reported sighting of strange unheard-of creatures, one of which was an enormous 30-foot-long serpent. This was widely ridiculed by the scientific community, however, a recent expedition has made a discovery that has proved the experts wrong. The Gigapixel ArtZoom captured a giant luminary Rainbow Serpent discovered at Seattle Center, seen here supported by artists Sarah Lovett, Bill Fahey, and Melanie Masson.', sites: ['https://web.archive.org/web/20161028044332/http://lovettarts.com/'], videoId: 'youtube:4Pzf1ZLOH4U', images: [] }, { id: 'RulonBrown', title: 'Rulon Brown', names: ['Rulon Brown'], desc: 'Rulon Brown is a musician and visual artist who creates for film, stage, gallery, and adaptive media. His recent work includes a solo album made via laptop while traveling in North and Central America; an art puzzle with each piece embedded with hidden music and film; a documentary film about the cultural limits of Mormon musical worship; and touring Nicaragua with his rock inspired jazz group: Paul Rucker (cello/bass), Bill Horist (guitar/FX), and Jeff Busch (percussion).', piece: 'Rulon Brown is fascinated by the restless sleep of The American Dream, what we share, and what we keep to ourselves. Here he sits making music alone with a hoard of red headphones. This scene springs from his most recent interactive art installation, which uses 50 headphones hanging from 50 intravenous drip poles to play 50 unique MP3 accompaniments for one live soloist.', sites: ['https://web.archive.org/web/20161028044332/http://www.rulonbrown.com/', 'https://web.archive.org/web/20161028044332/http://www.rulonbrown.com/2013/restless'], videoId: 'vimeo:69679054', images: ['46_Sax_B', '46_Sax_C'] }, { id: 'SariBreznau', title: 'Sari Breznau', names: ['Sari Breznau'], desc: 'Sari Breznau is a Seattle-based variety performer, singer, music director and prop maker, best known for her work with Circus Contraption, Orkestar Zirkonium, the Seattle Homeless Women\'s Choir, The People\'s Grand Opera, Pastor Kaleb\'s Old Lady Choir, and the Singing in the Rain Family Choir. She creates original comedic musical theater acts, incorporating elements of puppetry and low-brow farce to accompany her over-the-top theatrics and powerhouse operatic voice.', piece: '"The Opera Diva" is a comedy piece originally created for a Circus Contraption show, consisting of an intensely melodramatic aria, sung in a nonsense, made-up language, accompanied by humorous supertitles. The titles are droll and frivolous, revealing the histrionics of the performer to be totally disproportionate to the subject matter. The costume is an original creation, designed and constructed by Sari Breznau.', sites: ['https://web.archive.org/web/20161028044332/http://www.youtube.com/watch?v=-qjQb_TDUKg'], videoId: 'youtube:rRKSWERUrOw', images: [] }, { id: 'SeattleRepertoryTheatre', title: 'Seattle Repertory Theatre', names: ['Ben Bryant', 'Christian Carter', 'Bob Franklin', 'Kyle Grove'], desc: 'Seattle Repertory Theatre creates productions and programs that surprise, entertain, challenge and uplift our community through a shared act of imagination.  In 1963, a group of theatre lovers created Seattle Rep as a foundation for a thriving arts-rich community.  Fifty years later, Seattle Rep remains a vital source for creative thought and conversation, a place where the audience brings life to the stories we tell.', piece: 'Seattle Repertory Theatre staff members Ben Bryant, Christian Carter, Bob Franklin, and Kyle Grove collaborated to hang a sky drop from the top of the Bagley Wright Theatre. The sky drop was designed for "Of Mice and Men" by Jennifer Zeyl and painted by the Seattle Repertory Theatre scene shop.', sites: ['https://web.archive.org/web/20161028044332/http://www.seattlerep.org/'], videoId: 'youtube:cteXs-VwfJY', images: [] }, { id: 'SeattleThrillers', title: 'Seattle Thrillers', names: [], desc: 'Each year in October, the Seattle Thrillers participate in Thrill The World, an annual worldwide simultaneous dance of Michael Jackson\'s "Thriller." The Seattle Thrillers join Thriller groups in other nations to perform at exactly the same time, aiming to set a world record and simultaneously raising funds for charity. The local group also performs at other fun events in the Seattle area for various organizations, and this year they are raising money for the Alzheimer\'s Association. You\'re invited to learn the dance from the Seattle Thrillers, or to make a charitable contribution.', piece: 'The Seattle Thrillers were captured in the Gigapixel ArtZoom as they performed the Thriller dance, while passersby enjoyed the spectacle. Participants included Aimee Benoit, Alissa Baseman, Deborah Barker, Emily Gollihugh, Erin Huehnergarth, Happy Evans, Karen Ludwig, LaRonda Cannon, Maki Imada, Mary Napolitano, Matthew T. Peckham, Nana Gollihugh, Sandra Buchner, Sharon Mapili, Sheri Kinley, and Theresa Cadondon.', sites: ['https://web.archive.org/web/20161028044332/http://www.seattlethrillers.com/'], videoId: 'youtube:kayoMhNZzk8', images: [] }, { id: 'SequinMann', title: 'Sequin Mann', names: ['Jacqueline Barnett', 'Susan Hautala', 'Mark Malamud', 'Monica Rockwell'], desc: 'Sequin Mann was made possible through the collaborative efforts of Jacqueline Barnett, Susan Hautala, Mark Malamud, and Monica Rockwell, with the assistance of Mare Clausum, Roman Debellatio, and Lis Pendens.', piece: 'The essence of photography is light, and yet light, even captured light, is always a puzzle of order and understanding. At one end of the visible spectrum is ultraviolet, and the piece "Sequin Mann (10/10)" sits peacefully on the ground, as if at the end of a job well-done, while nearby someone offers what appears to be concise commentary on the meaning to be found here. Yes, understanding a piece of art is important, but being the first to understand is most rewarding.', sites: [], videoId: 'youtube:H90nOBCPt_Y', images: [] }, { id: 'SirensOfSerpentine', title: 'The Sirens of Serpentine', names: ['Leslie Rosen'], desc: 'The Sirens of Serpentine, led by circus starlet Leslie Rosen, are based in West Seattle. These bellydance sirens are ordinary women living lives of extraordinary dance adventure! They have been seen on stages from the swanky Columbia City Theater to the streets of Georgetown\'s Art Carnival. Charming their way across the international vaudeville scene of the Moisture Festival and into dark warehouse art parties, you never know where these Sirens will be next. Bringing a sweet blend of sass, intellect, humor, style and unrepresentable joy, you\'ll follow these ladies to the rocks for one more dance.', piece: 'Sirens on the rocks! The bellydancers known as the Sirens of Serpentine performed on the shores of their native coastline. Participants included Kate Beesley, Tamara Field, Jane Harness, Kathi Jenness, Leslie Rosen, Jody C. Rosenbalm, Christina Sears, Jessica G. Smith, Eva Talbot, and Louise Wisenbaker.', sites: ['https://web.archive.org/web/20161028044332/http://www.leslierosen.com/'], videoId: 'youtube:24NdCU96nJU', images: ['48_WS_Belly_B'] }, { id: 'SoMaProject', title: 'The SoMa Project', names: ['Sophia Wheelwright', 'Mary Hubbard'], desc: 'SoMa is a collaboration between Sophia Wheelwright and Mary Hubbard. Sophia is a mixed-media artist focused on creating environments one can engage with. She\'s interested in how light & shadow, movement, sound, and touch affect our experience. Her current work focuses on the organic quality of even non-organic materials. Mary works with fiber, and is interested in exploring large-scale temporary installations. She is attracted to pattern and how the playful patterns of light through semi-opaque surfaces can connect or reconnect the individual with his or her environment. SoMa was recently accepted into the Storefront Bellevue 2013/14 program.', piece: 'Sophia Wheelwright and Mary Hubbard used natural pigments to hand-paint a 75-foot banner of silk organza depicting leaves of a variety of invented trees. They have been flying this material both in interior spaces and exterior spaces in an on-going exploration of the experience of nature. For the Gigapixel ArtZoom project, the artists found a location in the Seattle downtown area where they could unfurl their beautiful material and let it billow. The banner offers a micro-burst of nature and unexpected color within the urban landscape.', sites: ['https://web.archive.org/web/20161028044332/http://www.colorandcraft.com/portfolio/the-soma-project/'], videoId: 'youtube:DbnBVo9WKwU', images: [] }, { id: 'SonOfMan', title: 'Son of Man', names: ['Russell Scheidelman'], desc: 'According to the artist, "I was born in Brussels in 1964. My father was René Magritte, the famous surrealist painter, whom I take after both physically and sartorially. I\'ve appeared in various feature films, most notably the 1999 remake of \'The Thomas Crown Affair.\' I have also graced the covers of various albums over the years (e.g., Drake and Pink Floyd)."', piece: 'Russell Scheidelman says of his role in the Gigapixel ArtZoom, "I am being quite casual, projecting my fondness for Granny Smith apples."', sites: ['https://web.archive.org/web/20161028044332/http://en.wikipedia.org/wiki/The_Son_of_Man'], videoId: '', images: [] }, { id: 'TamaraStephas', title: 'Tamara Stephas', names: ['Tamara Stephas'], desc: 'Tamara Stephas is a landscape painter and sculptor whose work draws deeply on her Pacific Northwest origins. Her work explores wilderness, urbanization, and the relationship between our society and our environment. Stephas is a graduate of Willamette University and Gage Academy of Art. Recent honors include a 2013 Artist Trust GAP award.', piece: 'In the Gigapixel ArtZoom, Tamara Stephas carries a 5-foot by 3-foot section of northwest rainforest across the expanse of cement at the intersection of two arterials. The painting, "Exit Route," shows an illuminated exit sign in otherwise untouched wilderness. The meaning of the sign is ambiguous to begin with. (Does it mark an evacuation route from the coast? The fate of the wilderness itself? Does it reveal the theatrically lit nature scene as artificial?) Embedding it in the urban context of this project in turn invites additional readings.', sites: ['https://web.archive.org/web/20161028044332/http://www.stephas.com/'], videoId: 'youtube:t-bXq7bk020', images: ['02_PaintingXing_B'] }, { id: 'TashiroKaplan', title: 'Tashiro Kaplan Artists Lofts', names: ['Barry Connolly', 'Roger Wheeler', 'Noa Piper'], desc: '

Barry Connolly\'s present work is informed by 30 years of professional experience in multiple fields of visual art. For the past six years painting has been his priority. Barry says, "My paintings express forms from the unconscious that reveal more to me the more I accept their necessity."

Roger Wheeler is a native of the Pacific Northwest and has been exhibiting his impressive body of work since 1969. His masks have been featured in exhibits at the Bellevue Art Museum, the Seattle Public Library, and the Phinney Center Gallery, where his mask was voted "best of show." He currently resides at the Tashiro Kaplan Artists Lofts where he is a working/teaching artist. His work is represented by ArtFX Gallery in Seattle and The Art and Soul Gallery in Bothell, as well as in art shows and venues throughout the Seattle metropolitan area.

Noa Piper\'s work is an investigation of emotion and how it connects one\'s self to the world as a whole. With connotative imagery, she leaves emotional footholds so that a sensory landscape or the hint of a body\'s twist directs the viewer\'s psyche to a private understanding of the particular and intimate drama unfolding in each canvas and print.

', piece: 'Barry Connolly, Roger Wheeler, and Noa Piper posed with their artworks for the Gigapixel ArtZoom, representing the community of artists who reside and work at the Tashiro Kaplan Artists Lofts.', sites: ['https://web.archive.org/web/20161028044332/http://tklofts.com/', 'https://web.archive.org/web/20161028044332/http://www.barryconnolly.com/', 'https://web.archive.org/web/20161028044332/http://www.maskmadness.com/', 'https://web.archive.org/web/20161028044332/http://www.noapiper.com/'], videoId: 'youtube:zP3ORP11cMo', images: [] }, { id: 'TessaHullsEricOlson', title: 'Tessa Hulls and Eric Olson', names: ['Tessa Hulls', 'Eric Olson'], desc: 'Tessa Hulls and Eric Olson are prone to getting crazy ideas. Tessa and Eric met in 2012 on Susan Robb\'s Long Walk, and unwittingly began a continuing series of collaborations when Tessa\'s intense curiosity about the intersections and nexus points within communities met Eric\'s interest in unconventionally creative data visualizations. The collision led the two of them to interview the group of fifty Long Walkers to create a webbed map of connections, and they\'ve been dragging one another into their respective creative schemes ever since.', piece: 'Successful collaborations develop natural tides, and Tessa Hulls and Eric Olson have fallen into an egalitarian tradeoff in which they take turns inhabiting the roles of instigator and supporter. "BiblioPILE: Book Lovers Never Go to Bed Alone" is Tessa\'s turn to take the reins. A voracious reader who grew up in a town of 350 people, Tessa spent her formative years reading her way through the public library and roaming the hills with piles of books. BiblioPILE is a book lover\'s playful homage to the ongoing quest of finding balance between the landscapes of imagination and the fragility of actual structures.', sites: ['https://web.archive.org/web/20161028044332/http://tessahulls.com/', 'https://web.archive.org/web/20161028044332/http://ericdidit.com/'], videoId: 'youtube:7fuaQJR5yXE', images: [] }, { id: 'TimMarsden', title: 'Tim Marsden', names: ['Tim Marsden'], desc: 'Tim Marsden is an artist practicing in Seattle. He works in a variety of media but considers himself a painter at heart. The Gigapixel ArtZoom project is one of several public artworks in which Tim has participated recently.', piece: '"Mind Your Step" uses the classic banana skin pratfall as a starting point and adds the further complication of navigating a treacherous space with artificial means. How much are the extra boots a help or a hindrance? Just how slippery is a banana skin anyway? Take it from Tim Marsden: terribly slippery.', sites: ['https://web.archive.org/web/20161028044332/http://www.etmarsden.com/'], videoId: 'youtube:3QuOy--gfQI', images: [] }, { id: 'TroyGua', title: 'Troy Gua', names: ['Troy Gua'], desc: 'Here\'s how Seattle artist Troy Gua describes himself: "I am a child of 1970s and 1980s America. I did Elvis impersonations for my parents\' friends on the hearth. I dressed as Elton John for Halloween. I saw every Star Wars movie on opening day. I knew girls were different from boys when I discovered Olivia Newton-John. I grew up with Ronald McDonald and Ronald Reagan, King Tut and the King of Pop; images and icons that have been burned into my subconscious. Rock stars, advertising, packaging, Hollywood, fast food, the internet, Facebook, and reality TV are all part of the American mass culture that both shapes my life and forms a vital component of my creative process."', piece: 'Troy Gua appears in the Gigapixel ArtZoom with one of the pieces from his "Pop Hybrids" series. These artworks are about the reduction of personality into logo, of individuality into the collective, of photography into design. They\'re a subtraction of images: the recycling, re-using and reducing of two or more images into one iconographic collection of shapes. This work deals with iconography, duality and satirical juxtapositions. By portraying cultural icons inter-layered with one another, these highly lustrous, visually arresting pieces challenge the viewer to decipher the image while making the sardonic, metaphorical and sometimes philosophical connections within.', sites: ['https://web.archive.org/web/20161028044332/http://www.troygua.com/'], videoId: 'youtube:Y0pai0ksQ2o', images: [] }, { id: 'TheVennSisters', title: 'The Venn Sisters', names: ['Nola Avienne', 'Julia Freeman', 'Ellen Ziegler'], desc: 'Named after the Venn diagram (intersecting circles that serve to define the overlap of sets of information), the Venn Sisters are three artists who influence and support each other: Nola Avienne, Julia Freeman and Ellen Ziegler. They are all members of SOIL Gallery in Seattle. They are ready for anything, anytime.', piece: 'Proposed and organized by Ellen Ziegler, this rooftop drawing event lasted two hours, culminating in the photograph taken for the Gigapixel ArtZoom project. The artists attached sidewalk chalk to bamboo poles, then turned in place on sheets of tar paper, drawing intersecting circles that eventually spread to the surface of the parking lot. This spontaneous drawing was not planned in advance; the process of interacting with each other was as important as the final product.', sites: ['https://web.archive.org/web/20161028044332/http://www.ellenziegler.com/', 'https://web.archive.org/web/20161028044332/http://www.nolaavienne.com/', 'https://web.archive.org/web/20161028044332/http://www.juliafreeman.com/'], videoId: 'youtube:KZ9M_x32AGY', images: [] }, { id: 'VisAVisSociety', title: 'Vis-à-Vis Society', names: ['Rachel Kessler', 'Sierra Nelson'], desc: 'The Vis-à-Vis Society, founded by poet-scientists Drs. Ink and Owning (a.k.a. Sierra Nelson and Rachel Kessler), gathers live audience data to generate new work. They have performed and created installations across the nation, including at the Frye Art Museum, Henry Art Gallery, Hedreen Gallery, Seattle Art Museum, Space Needle, Bumbershoot Festival, Lo-Fi Arts Festival, Richard Hugo House, NEPO 5K Don\'t Run, Wave Books Poetry Bus Tour, STart Wall Project and Brooklyn\'s Galapagos. Their two feature-length statistical musicals were commissioned for NW Film Forum\'s Live at the Film Forum Series.', piece: 'At Lo-Fi Arts Festival (Summer 2013), the Vis-à-Vis Society created an interactive performance and installation "Burning Questions for Burning Bushes." The process began with a mailbox in an empty field asking for audience questions. Then the Vis-à-Vis Society, dressed as bushes ("embodied cognition"), took turns translating each question into dance while the other scientist recorded observations. Here, Drs. Ink and Owning bring those findings to a new field: sharing the original questions and the resulting answer-poems first discovered via dance, shrubbery, and the scientific method.', sites: ['https://web.archive.org/web/20161028044332/http://visavissociety.org/'], videoId: 'youtube:jvObcrw0WdA', images: [] }, { id: 'WesHurley', title: 'Wes Hurley', names: ['Wes Hurley', 'Waxie Moon', 'Wendy Ashford'], desc: 'Wes Hurley is the Seattle-based filmmaker behind the award-winning documentary "Waxie Moon" and the local cult favorite "Fallen Jewel." Hurley is one of City Arts Magazine\'s 2013 Artists of the Year and author of a widely circulated Huffington Post article on "Growing Up Gay in Russia." His upcoming projects include "Potato Dreams of America," an autobiographical feature produced by Mel Eslyn and Lacey Leavitt; and "Capitol Hill," a comedy series starring Waxie Moon.', piece: 'Filmmaker Wes Hurley is captured in the Gigapixel ArtZoom as he shoots a scene with performers Waxie Moon and Wendy Ashford.', sites: ['https://web.archive.org/web/20161028044332/http://www.weshurley.com/'], videoId: 'youtube:9EwV9FYCIB0', images: [] }, { id: 'YoungstownArts', title: 'Youngstown Cultural Arts Center', names: [], desc: 'Youngstown Cultural Arts Center is an inclusive, contemporary multi-arts space based in Seattle\'s Delridge neighborhood. The center incubates and inspires new arts participants, art-makers, and organizations from throughout the Pacific Northwest, in order to engage in civic dialogue and meaningful community transformation. The Youngstown building houses 36 units of low-income artist housing, commercial office space for arts-based nonprofits, and rental spaces available to arts and cultural organizations and the general public for performances, classes, meetings, and gatherings. Please come visit the center!', piece: 'Residents from Youngstown\'s Cooper Artist Housing joined with Youngstown staff and community members to display a small fraction of the myriad forms of artistic expression happening on a daily basis at Youngstown. Although the actual Youngstown Cultural Arts Center building is not visible in the Gigapixel ArtZoom panorama, a group of artists ventured out to Seacrest Park to represent Youngstown, to get themselves pixelated, and to invite viewers to come and explore the diverse and creative community at Youngstown. Participants included Amy Benson, Aviyah Kurtz, Barbara Fugate, David Bestock, Erin Maccoy, Hale Squire, Kim Tran, Lisa Guerrero, PE Pitt, Sean Gallagher, Virginia Coffman, and Yvette Diltz.', sites: ['https://web.archive.org/web/20161028044332/http://www.youngstownarts.org/'], videoId: 'youtube:AXIgUd4e-vk', images: [] } ], credits: [ { title: 'Directors', names: 'Michael Cohen and Matt Uyttendaele' }, { title: 'Producer', names: 'Elise Ballard' }, { title: 'Assistant Producer', names: 'Amy Billharz' }, { title: 'Creative Consultant', names: 'John Boylan' }, { title: 'Gigapixel ArtZoom Photographers', names: 'Michael Cohen, Eric Stollnitz, Matt Uyttendaele' }, { title: 'Gigapixel ArtZoom Photographic Assistants', names: 'Cindy Ball, Rick Szeliski' }, { title: 'Gigapixel ArtZoom Compositing', names: 'Celso Gomes' }, { title: 'Software Development', names: 'Eric Stollnitz, Rick Szeliski, Matt Uyttendaele' }, { title: 'Web Site Design', names: 'Celso Gomes' }, { title: 'Web Site Development', names: 'Eric Stollnitz' }, { title: 'Photography and Videography', names: 'Cindy Ball, Madison Bates, Jeremy Gregory, Microsoft Digital Video Stories (Dan Ibabao, Bill Strothman, Doug Tolmie, Pamela Woon), Microsoft Research Media (Kris Crews, Ben Ericson, Jake Knapp)' }, { title: 'Video Editing', names: 'Michael Cohen, Celso Gomes, Microsoft Research Media (Kris Crews, Ben Ericson, Jake Knapp)' }, { title: 'Artist/Performer Wranglers', names: 'Elise Ballard, Amy Billharz, John Boylan, Melanie Masson, Stewart McCullough, Kate Ryan, Jennifer Zeyl' }, { title: 'Shoot Location', names: 'Kate Hurlocker, Bay Vista Residential Tower Association' }, { title: 'Contracting', names: 'Steyer Associates' } ] };